In summary, when discussing the literary impact of the Brixton Uprisings, one must equally consider how literature has impacted upon the public consumption of the riots. Rather, it is useful to view these poems as responding to a common political issue, with the public tensions of the early s affecting a politicized subjectivity in many black artists. Rather, as the events leading to the uprising affected a politicised subjectivity in these writers, so too did their poetry serve to articulate and strengthen political unity amongst marginalised groups. Log In Sign Up. Together, these factors ensure that it could just as easily have been Castro who sparked the riots as Michael Bailey or Cherry Groce. As formal political resistance grew against Special Patrol Groups, the s also saw the fruition of numerous scholarly activities aiming to promote the voices of West Indian intellectuals. Within Fite Dem Back, Johnson represents this simultaneous need for solidarity and difference, resisting a hegemonic reading of black experience through creating a communal experience based on a common enemy, rather than a unifying black identity.
In this fashion, the flat denial of institutional racism within the Metropolitan Police by the Thatcher government allowed figures such as Powell to hijack the narrative of the Uprisings altogether, laying the blame squarely at the feet of the black community in Brixton. Every one of my peers had a story that spoke of suspicion, mistrust and abuse from the police. Why did you decide to edit the original narrative? I also wanted to explore the theme of identity politics within the black community. Born out of the same political climate, the literature of South London in the s and the riots of and respond to many of the same issues: As formal political resistance grew against Special Patrol Groups, the s also saw the fruition of numerous scholarly activities aiming to promote the voices of West Indian intellectuals. What kind of effect do you think that Linton had on your own work?
How do you see Black Power as figuring in your debut work?
Moreover, there has been a renewed interest in representing the Uprisings outside of a purely historical framework. The marker of the riots in the interplay of in situ and media event is thus that they are demarcated from the ordinary.
(PDF) WRIOTING! The Literary Impact of the Brixton Uprisings | Sean Richardson –
Oh ye people of England, Great injustices are committed upon this land, How long will you permit them, to carry on? Britain in the Seventies. Dkssertation, Empire and the Locations of Identity.
What place do you think literature has in the Brixton Riots? I think literature has a crucial part to play in the Brixton Uprising. The Caribbean Artists Movement On the 18th Januaryjust three months before the outbreak of the first riot in Brixton, 13 young people were killed at a party in South East London.
Help Center Find new research papers in: Quickly becoming violent, the protest saw the arrests of over citizens, and Peach was knocked unconscious by police, later dying in hospital Alderson, But I think to really embed it into the consciousness of the country, a drama has to be filmed so students and any other historian can use it as a reference or a starting point into any further study on the subject.
The Media and the Riots in England: Unordered Thesis on Days of Disorder | Antenna
I also wanted to show how those events, although of massive importance to adults, would not particularly resonate with a child, let alone a child in crisis. I mean for example, he introduced me to the Dennis Bovell dub band. And no Caribbean family could afford a house in Brixton any more SR: In turn, the political unity inspired by the climate of the Uprisings further provided artists with material possibilities to disseminate their work at events such as Rock Against Racism, as well disssertation through politically minded collectives like the Cambridge Arts Movement, the Institute of Race Relations and Page One Bookshop.
In that sense, do you think that dub is a collective or group poetry? In all, as the political climate of the late s and early s intensified for Afro- Caribbean immigrants, so too did the leading cultural organisations of the decade develop a more sharply politicised agenda.
So the drama school was a gathering, of people experimenting with poetry SR: Cambridge University Press, Together, these factors ensure that it could just as easily have been Castro who sparked the riots as Michael Bailey or Cherry Groce.
Black Activism and Cultural Politics. Volume 12, Issue 1. However, nothing about these crimes is simple.
The Media and the Riots in England: Unordered Thesis on Days of Disorder
In I lived on Carpenters Road in Handsworth Birmingham where some of the riots took place so I lived through them, saw the fire engines and Police cars and demonstrations and so forth.
I am still passionate about addressing social inequality and racism today as I have ever been.
How do you feel the Riots figure in the cultural memory of Brixton today? I just wanted them to grow up, where their colour was not the first definition of themselves SR: And if you can dance to something, then you recognise the beat, the beat is in tune with you, you can dance to it SR: When I went to high school in Jamaica, there were no Caribbean poets of the syllabus, so I had to study Chaucer.
And then I lived with a group of Rastafarians who had a sound system, that was in The Times Digital Archive. Do you think that dub is a necessarily political genre?
Can you tell me a little bit more about that?